So, liquid music has taken off through 'the back door'. Just think of 'the mule', which can boast an intuitive and simple interface, localisation in forty different languages, a community that is still active in keeping it alive and a number of downloads (as of 2017) of almost seven hundred million. Peer-to-peer exchange platforms such as Napster, Audiogalaxy, LimeWire and eMule have had an easy time of it, achieving amazing results and enviable backbones. Apart from the unquestionable merits that liquid music may have, such as an objective gain in space and total portability, it is the illegal sharing between users that has drastically favoured its diffusion. The first to be marketed was MPMan F10presented in March 1998 at the CeBIT fair by the South Korean company Saehan Information Systems and marketed by Either Labs the following summer at a price of 250 dollars with (today's ridiculous) 32 MB of flash memory. The very first MP3 player dates back almost a decade, however. The liquid music boom in Italy and worldwide took place in the early 2000s, although the terminology "liquid music" only took hold in 2006, both in the specialist press and among listeners.
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